Poet Craft
I wish our clever young poets would remember my homely definitions of prose and poetry; that is, prose,—words in their best order; poetry,—the best words in their best order. Samuel Taylor Coleridge
Over the next few months, I expect to be adding titles and other resources to this list. Here are a few favorites to get things started…
Awakening the Heart: Exploring Poetry in Elementary and Middle School (Heinemann, 1999) and![]()
For the Good of the Earth and Sun: Teaching Poetry (Heinemann, 1989), both by Georgia Heard, are wonderful books about teaching, writing, and encouraging poetry in your own life and the lives of your students. I’ve found chapter 4 in Awakening the Heart, on the meaning and music toolboxes, to be particularly helpful in my own study of the “sense and song” of poetry.
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How to Write Poetry by Paul Janeczko (Scholastic, 1999) is another favorite. I especially love the POETCRAFT sections on topics such as “Sound,” and “Creating Images.” Janeczko also includes tips from poets, suggested reading, and short ” Try This…” prompts.
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Poem-Making: Ways to Begin Writing Poetry (HarperCollins Publishers, 1991) by Myra Cohn Livingston covers an enormous amount of ground in short, easy-to-read chapters. I suppose, like How to Write Poetry, this book was written for younger students of poetry. But I found it to be an easy and concise primer on some poetry basics such as: voices of poetry, sound, rhyme, rhythm and metrics, form, and figures of speech. If you’re just getting started in poetry, this is a must have.
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Poetry Matters: Writing a Poem from the Inside Out (HarperCollins Publishers, 2002) and![]()
What A Writer Needs (Heinemann 1993) are just two of a number of books on my shelves by Ralph Fletcher. As a writing teacher and author/poet, Fletcher brings practical knowledge of students and the art of teaching to the page. While Poetry Matters is geared more toward the student reader, I discovered plenty of inspiration for my own writing journey in What a Writer Needs.
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A Poetry Handbook (Harcourt Brace & Company, 1994) by Mary Oliver must be considered a primer for those looking for a succinct and fundamental understanding of some of the basics of reading, understanding, and writing poetry. One of my all-time favorite quotes comes from the first chapter. It’s a bit too long to quote here, but I’ve written about it and will include another snippet to pique your interest: “Writing a poem…is a kind of possible love affair between something like the heart (that courageous but also shy factory of emotion) and the learned skills of the conscious mind.
